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MuseArt offers opportunities for artists of all skill levels and mediums to draw local musicians while they perform. An amazing multi-media art event!

dick watt tour 2019

Bassist Mike Watt was the living embodiment of the punk rock spirit. As a founding member of the highly influential Minutemen, he created one of the most important bodies of work in the American underground canon, delivering adventurous, fiercely polemical music informed by such disparate traditions as funk, folk, and free jazz. Although his subsequent material — most notably his records with the trio fIREHOSE, as well as his latter-day solo efforts — lacked the sheer impact of his earliest outings, Watt remained true to the D.I.Y. ethos that originally inspired him, emerging as one of the most highly respected figures in contemporary music.

Born December 20, 1957, in Portsmouth, Virginia, the young Watt and his family relocated to San Pedro, California, which was to remain his home base throughout the years to follow; there he became close friends with D. Boon, with whom he formed the Reactionaries during the mid-’70s. Inspired by the burgeoning punk movement, he and Boon founded the Minutemen in 1979, adding George Hurley on drums. So named in honor of the brevity of their initial songs, in 1980 the Minutemen debuted with the EP Paranoid Time, becoming just the second act to record for the legendary SST label. In the years to follow, seminal releases, including 1981’s The Punch Line and 1984’s two-LP set Double Nickels on the Dime, established the trio as one of the American indie scene’s brightest hopes — but on December 23, 1985, Boon was killed in a van accident following one of the band’s live dates.

Devastated, Watt and Hurley planned to retire from music but were coerced into returning to action by Ohio-born Ed Crawford, a fervent Minutemen fan inspired to learn guitar by the band’s records. Dubbing themselves fIREHOSE, the new group debuted in 1986 with Ragin’, Full-On, which was dedicated — as were all of the trio’s future releases — to the memory of D. Boon. That same year, Watt also teamed with his then-wife (and former Black Flag bassist), Kira Roessler, in the group Dos, a two-bass duo. fIREHOSE carried on the Minutemen‘s spirit admirably, and after three indie releases, they were signed to major label Columbia, where they debuted in 1991 with Flyin’ the Flannel. fIREHOSE‘s tenure on Columbia was largely disappointing, and after 1993’s album, the J Mascis-produced Mr. Machinery Operator, failed to launch them toward mainstream success, they quietly disbanded in early 1994.

In 1995, Watt issued his first solo LP, Ball-Hog or Tugboat?, an all-star affair featuring guest appearances from members of Sonic Youth, the Beastie Boys, Nirvana, Soul Asylum, and the Screaming Trees. On a subsequent solo tour, Watt‘s standing within the alt-rock community was solidified by the roster of his backing band, which included Pearl Jam‘s Eddie Vedder and Nirvana alum Dave Grohl; the same tour saw Grohl‘s new band, the Foo Fighters, making their public debut as the support act. (In 2016, a recording from the Chicago date of the tour was released under the title Ring Spiel Tour ’95.) A year later, Watt played bass in Perry Farrell‘s band Porno for Pyros, appearing on their sophomore LP Good God’s Urge. In 1997, he issued his long-awaited second solo effort, Contemplating the Engine Room, an autobiographical “punk-rock opera” also based on the lives of his father, a chief in the Navy, and D. Boon. That same year, Watt appeared on the self-titled debut by the Stephen Perkins-led experimental alternative jazz outfit Banyan. Watt spent the next year on the road supporting Contemplating, also finding time to record a cover of the Stooges‘ classic “TV Eye” as part of the ad hoc group the Wylde Ratttz for the 1998 Velvet Goldmine motion picture soundtrack, and reuniting with former Minutemen/fIREHOSE drummer George Hurley for a track on the Hempilation, Vol. 2 compilation (the original composition “Sidemousin’ the Bong”). The next year, a second Banyan album was issued, Anytime at All.

In early 2000, Watt had a close brush with death due to flu-like symptoms (brought on by an internal abscess in his perineum that went undetected for a long time). After successfully recuperating, Watt got back into playing by covering Stoogessongs on a smattering of live dates accompanied by former Dinosaur Jr. frontman J Mascis. Mascis invited Watt to play on his solo release More Light later the same year and participated in its ensuing tour (which was cut short in the summer of 2001 when the group’s van was involved in a serious accident in Sweden). Another Watt project arrived in 2002: the bass-organ-drums trio the Secondmen (featuring Madonnabe Pete Mazich on organ and drummer Jerry Trebotic), who were soon slated to begin work on their debut album. These plans were temporarily delayed, however, when Iggy Pop invited Watt to join him and the reunited, surviving Stooges on select 2003 concert dates throughout North America and Europe. These commitments fulfilled, Watt once again turned his attention to new releases, live appearances with others (Banyan, Hellride, Dos, etc.), and his Internet-related projects — such as hosting the web radio program The Watt from Pedro Show and maintaining his own site, Mike Watt‘s Hootpage (www.hootpage.com).

Watt‘s long-delayed Secondmen album with Mazich and Trebotic, a concept piece about his illness and recovery called The Secondman’s Middle Stand, was finally released in August 2004; a full-length debut by the Wylde Ratttz was expected that same year on the independent Ecstatic Peace label, but because of contractual difficulties, it was never released. On top of this collaboration, Watt filled his time playing with other groups over the next few years, including Unknown Instructors, Black Gang, Floored by Four, and No Age, and recording with the Stooges for their 2006 comeback album The Weirdness. In 2011, he released his fourth solo album, Hyphenated-Man, a 30-song “opera” that he was inspired to write after listening to the Minutemen for the first time since D. Boon’s passing in 1985.

The World’s smallest wrestlers are competing for the title! An all-out Pro Wrestling War. Extreme Midget Wrestling will shock and delight you!

TICKET PRICING:
$5 – Additional at the DOOR
$20 – General Admission* (Advance)
$30 – Ringside**
$50 – V.I.P. Package***

*General admission pricing goes up by $5 at the door! Varies per venue, it is sometimes standing or seated.

**Ringside Seating begins in the 2nd row. Depending on the venue, there can be any number of Ringside seated rows, sometimes as many as 10. Ringside guarantees you a seat in this section, although seats are not numbered or reserved.

***Guaranteed (but not numbered or reserved) 1st-row seating, Limited edition EMW t-shirt, Meet and greet plus selfie/ groupie photo with the midget wrestlers before the show!

You must be at the venue 1 hour before the show to redeem the package inclusion.

This is a body slamming activity… MIDGET STYLE!!!
The World’s smallest #wrestlers are competing for the title! Midgets vs. Dwarfs in an all-out Pro Wrestling War. #ExtremeMidgetWrestling will shock and delight you!

We are the baddest little show on earth! Don’t miss this epic event!!!

Follow “Extreme Midget Wrestling Federation” elsewhere!
Facebook: Extreme Midget Wrestling (www.facebook.com/ExtremeMidgetWrestling/)
Twitter: @ExtremeMidgets (https://twitter.com/ExtremeMidgets)
Website: www.extrememidgetwrestling.com
Book us: https://extrememidgetwrestling.com/booking-information/

Danceable, funky, groovy, and did we mention danceable?

Ken Sokolov – drum kit, vocals
Matt Noble – bass, vocals
Matt Pilcher – Percussion, vinyl, vocals
Markus Johnson – Surdo, cuica, dub effects
Ashley Wright – Tenor saxophone, keyboard, vocals
Ryan Chaney — trombone
Alex Lowe – trumpet
Cody Simpson – trumpet

This event is all ages until 9:30pm.

Robert Meade’s a singer/songwriter, solo acoustic musician who’s been living and performing throughout the Northwest area for over a decade. His brand of upbeat Rhythm ‘n’ Blues & Americana music is bound to lift the spirit!

Zoe Boekbinder was born on an early winter morning, in the upstairs bedroom of a brown wooden farmhouse on Regional Route #3, in a small township in Ontario, Canada. Zoe’s brother, Oliver, was disappointed at her arrival because he was hoping for a brother named Zanzibar.

When Zoe was four years old her parents sold the family farm and took off for the USA in a big red truck towing a trailer behind it. She and her three siblings and two parents rode all around the western half of the US for six long months. The family stayed in different buddhist communities and trailer parks along their way to California. This period in her young life marks the beginning of her career as a junk show evangelist.

After six months on the road her family settled in the Sierra foothills in Northern California. 

In 2005 Zoe formed a band, with her sister Kim Boekbinder, called Vermillion Lies. Over the five years that they played together they released two albums, “Separated by Birth” (2006), and “What’s In the Box?” (2008). Her sister still plays music and makes albums. From time to time they still collaborate.

In 2009 Zoe decided to release an album of songs on her own. She recorded with her friend and producer, Cesar Alvarez, in Brooklyn, NY. Thus, “Artichoke Perfume”, was born. Two years later came her second born, “Darling Specimens”, produced by Shenandoah Davis in Seattle, WA. “Baby Bandit” is the newest release (January 2014) and was recorded live onto two inch tape in Oakland, CA with cellist Danah Olivetree and violinist Dorota Szuta. 

From May 2010 to December 2014, Zoe volunteered as a performer and teacher at New Folsom Prison. She is working on an album of songs with songwriters, poets, and rappers who are incarcerated there. The profits of the album will benefit re-entry programs for people being released from prison.

In the fall of 2013, Zoe wrote 100 songs in 100 days. She recorded each one and posted them daily. The last 25 songs are the draft of a musical called The Darling Taxidermist. You hear it in its immense entirety on bandcamp.

Zoe resides in New Orleans, Louisiana. She has an affinity for mason jars, rusted metal, Dolly Parton, sea creatures, botanical drawings, dilapidated barns, chocolate, avocados, broken hearts, port wine, and the open road. She wants to own a farm someday.

Her favorite collaborators over the years have been; Kim Boekbinder, Ani DiFranco, Kaki King, Amanda Palmer, Myles Boisen, Shenandoah Davis, Cesar Alvarez, Jason Webley, Carla Kihlstedt, Mal Blum, Carey Baldwin, Constance Hockaday, Mirah, and writers incarcerated at New Folsom Prison: Alex Batriz, Greg Gadlin, Spoon Jackson, ‘Drifter’ Allen, Abraham Banks, Samuel Brown, Nathen Jackson, and Ken Blackburn. 

Phantom Tides is an Oakland based duo consisting of Gracia Logue-Sargeant on vocals/guitar and the new addition of JM Jaffe playing guitar. Phantom Tides brings heartbreaking songwriting, otherworldly vocals and dreamy guitar riffs together in a unique and soulful way. The band currently has no album but is in the process of making one.
https://gracia.bandcamp.com/releases
https://m.youtube.com/watch?v=dQ9xzZnnYHM
https://www.facebook.com/themusicofgracia/

Join us as we highlight youth Uke performers and support these amazing students!

12pm – The Littles
12:15pm – Piotrus Pazdan-Siudeja
12:30pm – Uke Grrrlz
12:45pm – Lily Claypool
1:00pm – NEHS
1:30pm – V
1:45pm – The Ukestronauts
2:00pm – TRUE